Here are four current exhibitions in London that we think are worth a visit
Donna Huanca – Scar Cymbals
At Zabludowicz Collection between 29th September to 18 December
Daily performances by painted models work to create installations within this chapel space.
“Huanca’s work draws attention to the body and in particular the skin, which is simultaneously the surface on which our personhood is inscribed and the surface through which we experience the world around us. Huanca examines conventions of behaviour in our interaction with bodies in space and the invisible histories that are accumulated through those gestures. By exposing the naked body and concealing it under layers of paint, cosmetics and latex, Huanca’s performers confront our instinctive reactions to flesh, which becomes both a familiar, decorative object and an abstract, inaccessible subject.” – Source
At the RA between 24th Sept t0 2nd Jan
Franz Kline, Vawdavitch, 1955
American art from 1950s New York featuring art by De Kooning, Rothko and Pollock. Large scale, intense and expressive this style of painting gave the method a new leash of confidence.
“It was a watershed moment in the evolution of 20th-century art, yet, remarkably, there has been no major survey of the movement since 1959.” Taken from RA website
Antony Gormley – Fit
At White Cube Gallery, Bermondsey between 30th Sept to 6th Nov
“Gormley has configured the gallery space into 15 chambers to create a series of dramatic physiological encounters in the form of a labyrinth. Visitors are faced with a choice of passage through differently sized, uniquely lit spaces where each room challenges or qualifies the experience of the last.” – Source
Not long left on this one go see it soon!
At the National Gallery between 12th Oct and 15th Jan.
Exploring the influence of Caravaggio on painters and artists that followed him.
“After the unveiling of Caravaggio’s first public commission in 1600, artists from across Europe flocked to Rome to see his work. Seduced by the pictorial and narrative power of his paintings, many went on to imitate their naturalism and dramatic lighting effects. Paintings by Caravaggio and his followers were highly sought after in the decades following his untimely death at the age of just 39. By the mid-17th century, however, the Caravaggesque style had fallen out of favour and it would take almost three hundred years for Caravaggio’s reputation to be restored and for his artistic accomplishments to be fully recognised.” – Source