“A noticeable lack of feet…”

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We visited Tate Britain for the extensive exhibition of David Hockney’s 60 years of work from the instantly recognisable to the unseen workings.

There were so many pieces in this exhibition it was hard to choose a direction for this review. So we’ve just chosen a couple of pieces that we liked and looked into how they were made.

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The first piece is called ‘The Road to Thwing’ which Hockney painted in 2006. When displayed this is six smaller canvases hung close together to create one larger piece. When looking at the exhibition we were trying to work out how this would be painted would he do each canvas individually or all as one?

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When looking into it we found this image showing Hockney painting the scene with the six canvases arranged as they are on display. Whether he mapped out the edges of the canvas/basics of the small image and then worked back into each individually or did just do it all at once is not obvious from this image. We think its great that he has actually set this up within the field that he’s painting as with the technique seen within the ‘Australian impressionists’ exhibition we wrote about a few weeks back and not just done it from a photograph.

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David Hockney "The Four Seasons, Woldgate Woods (Spring 2011, Summer 2010, Autumn 2010, Winter 2010)" 2010-2011 36 digital videos synchronized and presented on 36 monitors to comprise a single artwork Duration: 4:21 An Edition of 10 with 2 A.P.s � David Hockney
“The Four Seasons, Woldgate Woods (Spring 2011, Summer 2010, Autumn 2010, Winter 2010)” 2010-2011

This is a collection of 36 digital videos synchronized and presented on 36 monitors to comprise a single artwork. They each last around 4 mins 21 seconds. Each screen consists of nine videos that play at the same time. The videos within the screen are simply the views from different perspectives of a car going down a road. Again we wondered how it was done.

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The above two images show the device and Hockney at work capturing the videos. We were trying to think of what kind of high tech piece of kit he could of used to create this piece. The rig set up on the bonnet of the car is definitely a lot less complicated than we were expecting and just what we were thinking he would have done. It is interesting that he sits in the back of the car watching every moment of the videos being recorded, even though the cameras will be capturing the work he doesn’t let anything turn out not as imagined or expected.

And the title of this blog comes from the observation of Hockney not really drawing/painting feet. They are always covered with shoes, furniture or missed off completely.

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For example the large socks or bucket in the painting above.

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We also really liked this photomontage of Hockney’s mother. There is a lot of skill used to perfectly capture and then realign the images to get her face clear and not distorted.

The exhibition is open until the 29th May – so get down and check it out for yourself.

Bethvictoria.com

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5 London Exhibitions this summer

There are as usual a tonne of different exhibitions on this summer in London. We’ve chosen 5 that we are interested in and will let you know some more we find later!

1 -Paul Strand: Photography and Film for the 20th Century

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“A major retrospective of the work of American photographer and film maker, Paul Strand (1890-1976), and the first in the UK since the artist’s death. Strand was one of the greatest and most influential photographers of the 20th century whose images have defined the way fine art and documentary photography is understood and practiced today.”

 Look out for a review on this one coming up!

19th March – 3rd July at the V&A

2 – Performing for the Camera

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A exhibition exploring the relationship between photography and performance. “What does it mean to perform for the camera?” An interesting exhibition that makes us think what does it mean to be yourself in front a camera, we are so used to cameras being constantly on us do we ever act ourselves or are we always performing?

Now – 12th June at Tate Modern

3- Conceptual Art in Britain 1964–1979

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“In the 1960s artists began to abandon traditional approaches and made ideas the essence of their work. This fascinating exhibition explores this pivotal period in British history, which changed the way we think about art to this day. It gathers together artists who took art beyond its traditional boundaries to suggest new ways of engaging with the realities of the world beyond the studio, which ultimately led to a questioning of the function and social purpose of art.”

12th April – 29th August at Tate Britain

4- Painting with Light

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Art and photography from Pre-Raphaelites to the modern age.

“Spanning 75 years across the Victorian and Edwardian ages, the exhibition opens with the experimental beginnings of photography in dialogue with painters such as J.M.W. Turner and concludes with its flowering as an independent international art form.”

11 May – 25th September at Tate Britain

5 – David Hockney RA: 82 Portraits and 1 Still Life

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This exhibition explores Hockney’s return to portraiture from his work with landscapes. The portraits are of a range of sitters from family to colleagues.

2nd July – 2nd October at the RA

Bethvictoria.com

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